alexmuninn
  • The US Government: We're not going to make it federally mandatory for people to get paid a wage they can actually live off of
  • The US Government: If people want to make a living, they'll just have to work 16+ hours a day
  • The US Government: And if their kids end up disenfranchised because of a lack of parental involvement, well that's not our problem
  • The US Government: In fact, what is our problem is creating a system that will funnel these disenfranchised youth into our prison system so they can work for corporations (that promise us money) for damn near free
  • The US Government: If they don't want to fall victim to this system, then they can seek higher education
  • The US Government: Except such an education will be inaccessible to most disenfranchised people and skewed in favor of the financially stable and white people
  • The US Government: And we're not going to make intervention programs like sex education and conflict resolution federally mandatory, because that's the parent's job
  • The US Government: The parent who is working 16 hours a day
fuckyeahexistentialism
In spite of language, in spite of intelligence and intuition and sympathy, one can never really communicate anything to anybody. The essential substance of every thought and feeling remains incommunicable, locked up in the impenetrable strong-room of the individual soul and body. Our life is a sentence of perpetual solitary confinement.
Aldous Huxley (via petrichour)
ladygrail

asylum-art:

 Burning Man 2014 Moments by Trey Ratcliff

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Embrace was a 72 ft wooden, cathedral-like sculpture of two human figures, “in celebration of all our relationships”. The site-specific artwork was created by the Pier Group for Burning Man 2014.
It was the largest project to date for the Pier Group, which gained acclaim for its previous Burning Man installations The Pier, Pier 2, and the Ichthyosaur Puppet Project. Crews began construction on Embrace in October 2013 at the Generator community art space in Reno, and in studios in Vancouver and Portland.
During this year’s festival the massive wooden sculpture was set aflame and Trey Ratcliff was on hand to capture the incredible moment. Below you can see what the interactive sculpture looked like before it was burned.